FOCUSRITE REDNET 6 AUDIO INTERFACE DRIVER DETAILS:
|File Size:||3.3 MB|
|Supported systems:||Windows 10, 8.1, 8, 7, 2008, Vista, 2003, XP, Other|
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FOCUSRITE REDNET 6 AUDIO INTERFACE DRIVER
History[ edit ] Founded in by Rupert NeveFocusrite's first contracts included a commission from Sir George Martin to build extensions to Air studios ' custom Neve consoles, initially the vintage recording console in Martin's Air Montserrat Focusrite RedNet 6 Audio Interface in the Caribbean — specifically a no-compromise microphone preamplifier and equaliser. The initial modules were delivered to Air Montserrat in and were very well received — as a result, Air London ordered several the following year. The ISA was subsequently sold as an outboard system.
Thunderbolt Audio Interfaces
Focusrite decided to use these designs as the basis of a complete recording console, and the Focusrite Focusrite RedNet 6 Audio Interface console was developed as a result in The concept was simply to produce the highest-quality recording console available at the time, regardless of cost. The prohibitively expensive design limited the production to just two units, however, after which Focusrite fell into financial difficulties. One Focusrite RedNet 6 Audio Interface was delivered to Master Rock studios in London and the other to Electric Lady in New York, remaining in use for many years. Audio industry veteran and co-founder of Soundcraft Electronics LtdPhil Dudderidge purchased the company's assets in Aprilestablishing Focusrite Audio Engineering Ltd and reissuing the original modules along with some new designs.
Images : Focusrite RedNet 6
Focusrite saw a growing interest in the microphone preamplifier, EQ and dynamics capability of the console, and decided to spin those out into a new range of outboard modules so that the technology could be made available independently of the console itself. This became the Red Range, with distinctive red milled Focusrite RedNet 6 Audio Interface front panels, launched in Over subsequent years Focusrite introduced several ranges of outboard audio processors. The Blue range, aimed at mastering engineers, followed, then in the Green range, a series of lower-priced processors was launched, aimed at musicians and home and artist-owned recording facilities.
The Platinum range followed inwith characteristic silver-fronted rack cases that combined more effective production design, lowering prices, Focusrite RedNet 6 Audio Interface more advanced circuitry providing additional features, including not only mic pres and processing, but also a range of effects. The company also co-developed plugins and hardware for the popular Pro Tools range of digital audio workstation DAW systems.
: Focusrite RedNet 6 - MADI Bridge (Standard): Musical Instruments
At the same time, new derivatives of the original ISA range were developed, providing new features such as variable mic input impedances. The ISA range is still in production, now with the additional of digital conversion as well as analogue signal processing. Late saw the introduction of the Liquid Channel.
This unit combines analogue and digital technologies to Focusrite RedNet 6 Audio Interface virtually any combination of classic mic preamp and compressor. At the same time, Focusrite launched another plug-in for Pro Tools, the Forte. Saffire is also available with real-time DSP-powered tracking and mixing capability designed for the home studio environment, providing compression and EQ for tracking, plus monitor reverb; it also includes VRM: Virtual Reference Monitoring technology.
VRM allows a mix to be auditioned in a several different emulated environments — such as living room, bedroom studio and professional studio control room — with a selection of monitoring and Focusrite RedNet 6 Audio Interface loudspeakers, by listening on headphones. Late saw Focusrite return to the plug-in arena with the release of the Midnight plug-in suite. This utilizes powerful DSP technology to exactly model the classic Focusrite ISA equaliser and ISA compressor, even including high-resolution front-panel emulations reminiscent of the hardware units.
It consisted of a transformer-coupled microphone preamplifier based around a transformer supplied by Lundahl of Sweden, 4-band equaliser and high- and low-pass filters and was named the Input Signal Amplifier ISA The first modules were delivered in It was again a vertical unit designed to fit into the original ISA rack or into a console. The concept was simply to produce the highest-quality recording console available at the time, regardless of cost, based around the signal path of the existing modular units. The result was the Focusrite Studio Console, released in Ten Studio Focusrite RedNet 6 Audio Interface were built, and several are still in use today.
With two exceptions, the range consisted of combinations of these basic building blocks. In addition, the range featured solid, milled, red-anodised aluminium front panels that gave them a very distinctive appearance.
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The Focusrite RedNet 6 Audio Interface Range InFocusrite launched a special new range aimed exclusively at mastering facilities, with features such as switched-position, easily resettable controls that could be annotated easily. RedNet 6 is a 1U, 64x64 MADI interface for any Dante™ audio-over-IP network. MADI connectivity is provided in the form of coax through two rear-panel BNC. RedNet D64R is a 1U, 64x64 MADI interface for any Dante™ audio-over-IP network. OM1 adheres to AES RedNet 6/ D64R supports OM2 if 3rd Party.
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